Practice: 

I view myself as a community-based artist, intertwining personal artistic pursuits with an active public practice engagement. During the studio phase of my work, I engage in introspective dialogue, nurturing and developing ideas that will later be brought to life through collaborative efforts in the public sphere. 

My studio practice centers on the conscious selection of materials that align with each project's core concept. For instance, using plant-fiber paper not only carries a sense of tradition but also allows it to eventually return to the earth as organic matter. Rather than fixating on an image's permanence, I prioritize the process itself, akin to a collective dance circle or a spontaneous music jam. I believe that by engaging in this process collectively, it becomes an ingrained part of our nature.

 I have embraced the sequence of sketchbook pages to guide my visual storytelling. Throughout my installations, I echo the existing language of craftsmanship and incorporate materials rooted in traditional craft practices. These installations often intersect with projects aimed at public engagement, fostering a dynamic connection with the community.